June 2001 Archives

Super Critic: Enter the Catty Woman

INT. COCKTAIL LOUNGE.

SUPER CRITIC is standing at the bar with his old friend PROFESSOR EXASPERATED.

     SUPER CRITIC
Professor Exasperated, you're really pounding those drinks down!

     PROFESSOR EXASPERATED
It you were locked in a room with Bill Maher for three days, you'd be doing the same thing.

     SUPER CRITIC
Well, when you put it that way.... drink yourself silly, old friend. Drink yourself silly.

     PROFESSOR EXASPERATED
What have you been up to?

     SUPER CRITIC
Same old same old. Had to bust up the Telly Savalas Gang...

     PROFESSOR EXASPERATED
Again? What were they up to?

     SUPER CRITIC
Penny-ante stuff. They kidnapped Ted Danson's toupee, and threatened to destroy it unless they received $20 million dollars in gold bullion.

     PROFESSOR EXASPERATED
Those fiends! Well, obviously you got it back.

     SUPER CRITIC
Of course! You should have seen Danson. He wept like a baby.

     PROFESSOR EXASPERATED
I like happy endings.

     SUPER CRITIC
So do I...

Right at that moment, THE MISANTHROPE pulls up to the bar.

     MISANTHROPE
     (to bartender)
Scotch and water.

     SUPER CRITIC
Misanthrope! How's it hanging, big fella?

     MISANTHROPE
Ahhh, I had to punish Tony Danza today.

     SUPER CRITIC
Really?

     MISANTHROPE
Yeah, he was planning to do another one of his cabaret shows.

     PROFESSOR EXASPERATED
Tony Danza? Tony Danza sings?

     MISANTHROPE
Well, not anymore.

     SUPER CRITIC
I'm afraid to ask... but what did you do to him?

     MISANTHROPE
I just put the fear of God in him.

     SUPER CRITIC
And that entailed?

     MISANTHROPE
Not much. Just breaking his back.

     SUPER CRITIC
My God, don't you think that's a little extreme?

     MISANTHROPE
Not if you've sat through one of his performances.

     SUPER CRITIC
I don't like your methods, Misanthrope.

     MISANTHROPE
You and I are very much alike, Super Critic. Television is our religion, yet we have both fallen from the purer faith. Our methods have not differed as much as you pretend. I am but a shadowy reflection of you. It would take only a nudge to make you like me. To push you out of the light.

     SUPER CRITIC
Oooo-kaaay.

     MISANTHROPE
You know it's true.

     SUPER CRITIC
And on that note, I'll think I'll go say hello to the mysterious and alluring Catty Woman.

SUPER CRITIC begins walking away.

     MISANTHROPE
You know it's true, Super Critic! He knows it's true. He knows...

     PROFESSOR EXASPERATED
     (to the Misanthrope)
So what kind of material did Tony Danza sing?

     MISANTHROPE
Mostly stuff by Louie Prima.

     PROFESSOR EXASPERATED
Really?!

     MISANTHROPE
I know... makes sick inside just thinking about it.

SUPER CRITIC walks over to the table where CATTY WOMAN is having a glass of wine.

     SUPER CRITIC:
Is this seat taken?

     CATTY WOMAN
No.

     SUPER CRITIC
May I... take it?

     CATTY WOMAN
It's a free country.

SUPER CRITIC sits down.

     SUPER CRITIC
Long time, no see. Where have you been hiding out, baby?

     CATTY WOMAN
Have you put on weight? It's looks like you've put on some weight.

     SUPER CRITIC
Ouch! The Catty Woman's claws are always out. Baby, why are you so mean to me?

     CATTY WOMAN
Sometimes I just feel the need to draw a little blood.

     SUPER CRITIC
So beautiful, and yet so cold and remorseless.

     CATTY WOMAN
Would you love me any other way?

     SUPER CRITIC
Of course not.

     CATTY WOMAN
So have you seen The Weakest Link?

     SUPER CRITIC
I flipped through it for a few minutes.

     CATTY WOMAN
What did you think?

     SUPER CRITIC
No much. The host is a little too smug for my taste.

     CATTY WOMAN
Maybe somebody ought to take her down a peg.

     SUPER CRITIC
Maybe somebody should. Are you making a suggestion?

     CATTY WOMAN
Just thinking aloud.

     SUPER CRITIC
Maybe we could team up and do it together...

     CATTY WOMAN
Are you making a suggestion?

     SUPER CRITIC
Just... thinking aloud.

SUPER CRITIC and CATTY WOMAN stare silently in to each other's eyes for moment. And then begin kissing each other madly, going at it right on the table. THE MISANTHROPE watches the couple make out from afar.

     MISANTHROPE
     (yelling)
Get a room!

Additional contributions to this article by: James Collier.

Zwick-Herskovitz: TV Pushers

I just learned that Bravo will be airing the series run of thirtysomething, which is somewhat akin to learning that the neighborhood pot dealer has come home from college for the summer.

I should elucidate further, before all of you nurture the mistaken impression that I'm only interested in my neighbors for pharmacological reasons.

Back in 1994, when the World Wide Web was young and so was I, I was a graduate student with a raging case of insomnia. Since the Web was still comprised primarily of interesting and useful sites -- as opposed to the time-wasting dreck we all furtively surf at work now -- and since I could only read so much French deconstructionism before my brain cells began leaping out of my ears in self-defense, I finally turned to the house television in desperation.

You have to understand two things: I had never lived anywhere with unfettered access to cable, and I had never liked to watch television.

But I was overtired and desperate, and when I channel-surfed, I hit upon thirtysomething. I watched, if only because the show honestly seemed to make no sense, and within twenty minutes, I was out like a light.

A few days later, I couldn't sleep again, so I crept downstairs, clicked on the television, found Lifetime, and began watching. The questions I had been woozily asking -- who were these people and what were they talking about? -- went unanswered, since I conked out at the twenty-two minute mark.

For the rest of the year, whenever I couldn't sleep, I'd watch thirtysomething. By the end of the school year, my curiosity had gotten the better of me and I had done several Lexis-Nexis searches to try and unearth the missing pieces in my mental puzzle. Imagine my surprise when I learned that the main characters were not, as I had thought, sociopathic Gap employees. And imagine how disconcerting it was when I discovered that Michael and Hope were not mortal enemies engaged in a series of increasingly complex mindgames, but were actually married to one another.

Heady stuff, I tell you.

The other side effect to my year of thirtysomething was discovering television that didn't make me fall asleep. I had gone to school that fall watching only two shows -- Beverly Hills, 90210 and Melrose Place -- and those two only because they provided a handy weekly excuse for me and my friends to throw elaborate drinking parties. By the end of the year, I was conversant in The State, Beavis and Butthead, The Maxx, Star Trek: Deep Space Nine, Star Trek: The Next Generation, Homicide: Life on the Street, E.R., Law and Order, Party of Five, Friends and The X-Files.

And now... and now, I write for two television Websites, read books like Make Room for TV: Television and the Family Ideal in Postwar America and Inside Prime Time, and generally pay much, much too much attention to what's on TV.

I blame thirtysomething: clearly, it was the gateway drug.

And now... now I've learned that it will be returning to the airwaves. And I'm torn: do I TiVo it against the next inevitable bout of insomnia? Or do I ignore it, lest I be sucked further into the heart of darkness?

I have always wanted to know if Michael and Hope went ahead and got that divorce they were so obviously heading toward....

On the other hand, there are better ways to induce a nodding stupor. O! The indecision!

CBS: The Banal and the Pity

A few years ago, I worked in a San Francisco neighborhood that frequently doubled as the backdrop for some of the seedier exterior settings in Nash Bridges. If there was a den of malfeasance to be busted by the intrepid Nash, odds are that it was in the vicinity of my office building.

On one particularly memorable day, Nash himself actually leapt off my office building -- or so I'm told. All I remember is going to work that day, walking over to the window to pour myself some coffee, and nearly having a heart attack as the taut orange visage of Don Johnson floated by. That he was in a cherry-picker on his way up to the roof doesn't matter -- for one terrifying moment, as Nash Bridges levitated before my caffeine-starved eyes, the banal and the inexplicable collided.

And that pretty much sums up the goings on at Nash's erstwhile home, CBS. Examining the fall 2001 prime-time schedule, each night's offerings seem calibrated to alternately cause mild confusion or lasting brain damage as you ask yourself, "Why am I watching this? And more importantly, why is this show permitted to exist?"

In the case of CBS's Saturday line-up, divine intervention must be involved. There's simply no other way to explain the continued existence of Touched By An Angel or The District.

As for the only new show on Saturday, Citizen Baines, it's safely sandwiched between those two shows that will air long after an expanding sun has burned our planet to a cinder. Citizen Baines' conceit is that a recently-ousted U.S. senator has to adjust to civilian life with his three daughters: the overachiever, the disgruntled middle child, and the adorable baby. It's The Brady Bunch, only without the blended family or the creepy incestuous overtones. However, Citizen Baines comes from the same team that gave the world ER, so there's always the possibility that John Wells and Lydia Woodward may actually expand the Baines clan by hiring a dozen new faces once the show hits a creative slump. Look for Ann B. Davis to join the cast as a sassy housekeeper with a thing for the local butcher.

Sundays on CBS, however, are already slumping. The network is falling back on its old standard of 60 Minutes and a Sunday movie, separated (in the slot recently occupied by Murder, She Wrote and Touched by an Angel) by the new series The Education of Max Bickford. It's a show that's fronted by two Academy Award winners -- Richard Dreyfuss and Marcia Gay Harden -- and features this premise: "Max realizes that he's an old-fashioned man in a modern world and that something has to change. But he'll be damned if it's him."

So the show's all about futility, then? That ought to go over well with all those former X-Files fans looking for a new reason to go on now that David Duchovny has left the family.

CBS has wisely decided not to screw with its Monday night lineup. One can only hope the people responsible for Yes, Dear have sent lavish bouquets to the showrunners over at King of Queens and Everybody Loves Raymond, with cards reading, "Thanks for keeping us propped up." For that matter, the people responsible for Yes, Dear should be sending bouquets to the couch potatoes of America thanking them for being too lazy to change the channel after King of Queens, thus guaranteeing the sad-sack sophomore show's continued existence.

Tuesdays on CBS begin with the inexplicably long-lived JAG. A new show, The Guardian, follows... but since it stars Dabney Coleman and is about a lawyer who just loves the kids, you'd better catch it soon if you're intrigued. It probably won't be around if you wait until February to catch a glimpse. There's already one huggy-lawyer show on CBS Monday (Family Law) and another family court show immediately following The Guardian (Judging Amy). Just how much law-oriented pablum does America need?

Wednesday is ... oh, CBS could run test patterns on Wednesdays for all the good it would do against NBC's powerhouse Ed, West Wing, Law & Order lineup. But let's go through the motions, anyhow. After 60 Minutes II -- not to be confused with 60 Minutes, 48 Hours, or 60 More Minutes, But At Least We're Not As Ubiquitous As Nightline Yet -- there are two new shows, The Amazing Race and Wolf Lake.

The Amazing Race is not, as one might suspect, a dramedy about extremist militiamen holed up in Idaho. Instead, it's something much worse -- a reality show about 11 pairs of people racing around while camera crews lie in wait, hoping to capture every last petty argument. At 10 p.m., while the rest of America is mouthing along to the words, "In the criminal justice system, the people are represented by two separate but equally important..." Tim Matheson and Lou Diamond Phillips will be playing a game of cat-and-mouse -- or cop-and-werewolf, if you want to get technical about it -- in Wolf Lake. The CBS promotional material for the show notes, "From the man behind the horror show Kindred: The Embraced "... as if that's a good thing. You've been duly warned.

CBS's two surprise hits -- Survivor and CSI -- return to their usual Thursday slots. And in the biggest sign that other networks now believe ER is ready to be taken down, CBS has scheduled new show The Agency to go head-to-head with NBC's creaking, Erik Palladino-besotted behemoth. All you need to know about The Agency is that it stars Billy from Ally McBeal, and it's capitalizing on the wave of goodwill we apparently feel for the Feds now that The West Wing has gulled us all into believing government workers are smart, good-looking and morally unimpeachable.

Well, at least government employees tend to be steadily employed. Ellen DeGeneres' eponymous character is not. The entire The Ellen Show revolves around a failed dot-com mogul forced to move back home with Mom, thus eerily combining two things that looked like they were going places back in 1997 -- the Internet and Ellen DeGeneres. Sadly, CBS has apparently missed the chance to really hit paydirt with reality programming; given the tidal wave of layoffs in the Web sector, it might have been more productive to find a dozen dot-com defectors and record their readjustment to the world of nine-to-five work at companies that don't keep foosball tables in the breakroom.

Then again, television shows have never been interested in depicting actual work. The other new sitcom gracing CBS's Friday night schedule, American Wreck, is about a wacky community theatre owner faced with the realization that he's 40. So what? He gets to make a living foisting "Pirates of Penzance" on an unsuspecting community -- where's the problem? The rest of CBS's Friday night schedule -- mystifying Fall 2000 Season survivor That's Life and 48 Hours round out a completely banal-sounding night of programming.

So that's your Fall 2001 -- two sitcoms, a werewolf show, a reality series or two, a few attempts to piggyback onto the throbbing love affair America's currently having with pretend civil servants, and the shopworn lawyers-who-care drama. That's the sum total of CBS's season. And the killer is, they'll probably do quite well with that line-up. Because CBS is no dummy network -- they're enjoying a resurgence in ratings and a gently shifting profile as old shows like Diagnosis Murder go the way of the dinosaur. It's inexplicable -- banal and inexplicable, much like the floating head of Don Johnson.

Tales of Punditry, Revisted (Or, Who Was That Fat Man on CNBC?)

They say that it's the secret desire of every American to wind up on TV. I don't know who says that exactly -- probably some professor or social critic or propeller-head who writes long, heavily-footnoted articles for ponderous, inaccessible periodicals that nobody reads except for maybe grad students trying to come off as smart. But it's not like I have a name or anything. And I'm not really inclined to look it up. I mean, it's not like I'm editing "Bartlett's Familiar Quotations" over here.

The point is someone said at some point that people have a yen for winding up on television -- just accept that. And if someone didn't say it, they should have.

Because it's true, after all. Yeah, those Survivor kids humped it out to the Outback and starved themselves into near-extinction and had various other indignities visited upon them because of the promise of a million greenbacks. But the weekly hour of face-time on national TV, the potential commercial endorsements and the fact that we as a nation are now on a first-name basis with people who we wouldn't have given the time of day to six months earlier -- that probably doesn't hurt, either. And what incentive would lure you to appear on Temptation Island other than the promise of fame via television exposure? Certainly, the prospect of disgracing yourself and your significant other can't be much of a drawing card. It's worth noting that those two knuckleheads suing Temptation Island's producers are doing so because they believe their hopes of parlaying their appearance on the reality show into copious acting gigs was compromised when the final editing made them come across as amoral ass-clowns.

So people want to be on TV. The sooner you accept that premise, the quicker we can move on to the business at hand.

It's not just aspiring grade-B actors and star-struck self-employed models who yearn to break out on the boob tube. Academics, experts and journalists -- respectable or otherwise -- are angling to get in on the act. And why not? At last count, the typical cable system sports three all-news channels, a couple of financial news networks, a headline news service, two outlets that cover the machinations of Congress and enough talk shows strewn out across the dial to guarantee that Geraldo Rivera need never fear the specter of unemployment. It takes an awful lot of pontificating, navel-gazing and general gasbaggery to fill that kind of 24-hour programming hole.

Fortunately, our nation's pundits are more than up to the task.

So alluring is the siren's song of television that many newspapers and magazines cut deals with cable news channels to have their ink-stained employees make regular televised appearances. Because having mastery over a subject area or a command of details not enjoyed by mortal men is nice and all, but what good is it unless television confers "expert" status upon you? Opinions are like assholes, after all -- everyone's got one. And the only way to stand out from the crowd is to make sure yours gets on TV.

Um... your opinion, that is.

It used to be that you had to have reached some level of achievement to be on TV -- write a book, guide a company, bed down a Kennedy. These days the only requirement seems to be that you're able to form a sentence with both a subject and a predicate and that you're not prone to unexpectedly shouting out profanities in public. Once the domain of only the beautiful, the intelligent and the accomplished, TV punditry has opened wide its doors so that any buck-toothed simp can walk off the street, sit down in front of a camera and spew nonsense to a rapt interviewer.

I mean, how do you think I got on TV the other day?

I don't just mean appearing on camera waving like a slack-jawed yokel while a TV reporter stands in front of me recounting the gruesome details of a horrible tragedy before throwing it to the wacky weatherman back in the studio. And I'm not talking about just being quoted on some penny-ante MTV special. That stuff's chicken feed. No, I'm talking about appearing on camera as an invited guest -- as a recognized and acknowledged expert in my field -- to give my two cents about the important issues of the day. And all I had to do was utter a short, easily digested sound bite on a subject I wouldn't have otherwise given a moment's thought.

I hear that's how Larry King got his start, incidentally.

It went down thusly: This TeeVee gig is a gas and everything but it's not like it pays the bills. Indeed, it does not pay any of the bills, as parents, high school classmates and ex-girlfriends are fond of reminding me whenever we broach the subject of society at large and my meaningful contributions to same.

So I have a paying gig -- a 9-to-5 job at a monthly magazine where I am paid much more than my skill set merits to write about computers. Or, more specifically, to write about one particular computer maker and its many fine products. My employers would prefer -- for various and sundry reasons involving legalities and shame -- that I not give any further details about what I do for a living. So, if you think I'm going to name the computer company I write about, you'd just better think different.

Anyhow, this company -- let's call it Acme Computers, just for kicks -- had released a new laptop computer. And CNBC, the financial news network of record for captains of industry, day traders, and Maria Bartiromo fetishists, wanted some computer industry expert wise in the mysterious ways of Acme Computers to appear on TV and explain how this latest product announcement would affect the computer maker's efforts to reclaim the education market.

Unfortunately, our editor-in-chief was out of town. And the next guy down on the totem pool had to go teach a journalism school class about new media, presumably telling the next generation of Woodwards and Bernsteins that if they didn't mind their Ps and Qs, they'd be relegated to writing for spectacularly unprofitable TV Web sites the rest of their miserable lives. And so, one editor after another begged off until eventually, I was the only person in the office available to appear on CNBC -- no doubt after the janitor, the building security guard and the intern in the mail room all took a pass.

Still, it's nice to be wanted.

I've appeared on TV before, mind you. There's a computer-themed cable channel called TechTV that beams its programming to an estimated 73 viewers scattered throughout the continental U.S. Among its programming was a trouble-shooting show called Call for Help, a thoroughly entertaining hour of tech-support-themed television whose only black mark was the three or four times it was unfortunate enough to have me on as a guest. I appeared on the Tip-of-the-Day feature, a segment that was supposed to take up two minutes of air time but usually felt like it ran on for 93 hours. Diligent Internet surfers can probably find a clip or two of me stammering out some horribly simplistic tip about rebuilding your hard drive or switching your default browser as I awkwardly banter with the host and silently concede that I owe Tony Danza an apology for all the mean things I've said about him over the years. Say what you will about the thespian powers of the big palooka -- but he's probably able to spit out a helpful hint about external FireWire drives without drowning in his own flop sweat.

So the fact that each of my previous TV appearances was followed by a frantic phone call from Call for Help producers to my employers begging them to never ever send me to the TechTV studio again -- that had me slightly rattled about my upcoming stint on CNBC. That, and the pitiable state of my physical appearance.

I'm not talking about my appearance in general. I've long since made my peace with God over the fact that I will not be posing for underwear ads soon or that I've been given a face best suited for the Internet -- and not one of those "CLICK HERE FOR HOT PIX!" Internet sites either, but the kind of text-heavy HTML pages where it's just as well you don't have to look at or listen to me. But on this particular day, at least, I wasn't terribly concerned about the cruel hand genetics has dealt me. After all, on television, viewers only care about what you have to say -- not how you look saying it.

Am I right, Maria Bartiromo?

No, on this particular day, I was concerned because I looked especially more slovenly than usual, like I had just emerged from an eight-day soak in a tub of gin. I blame this on a number of factors including, but not limited to, a) my wife being out-of-town, thus removing whatever incentive existed for staying fresh and clean as a whistle; b) my unfortunate habit of waiting until special occasions like holidays, weddings and the occasional church service to shave; c) a high pollen count, leading to the mother of all allergy attacks; and d) my recent decision to bathe myself entirely with gin. Add to that the fact that I was wearing a shirt that made me look like I was vying for first ukulele chair in the Don Ho Symphonic Orchestra -- kind of a sartorial no-no if you're planning to go on TV anytime soon -- and it was clear that changes had to be made before I went before the camera's unforgiving eye.

Quickly then, someone was dispatched to a local drug store to pick me up a disposable razor. The editor who was on his way to lead a journalism school lecture was told to surrender his shirt -- I was going on TV, loud Hawaiian shirt or no, and if he wanted to be responsible for thousands of CNBC viewers bleeding profusely from their eye sockets, well, then so be it. He gave up the shirt with only mild protestations. Whether or not he wound up teaching his J-school charges bare-chested, I am blissfully unaware.

And so, clean shaven with only a few minor nicks that would hopefully clot by air time and dressed in another man's clothing, I headed off to CNBC's San Francisco office for my 15 seconds of fame -- 10, if I spoke quickly.

My TechTV appearances hardly conditioned me for the lap of TV luxury. There was never any green room, no bowls of fruit and trays of little luncheon meats, no thick-necked Swedes offering to work out any kinks before you have to go on camera. And yet, compared to the spartan offerings of CNBC, TechTV is Gatsby's mansion on West Egg, complete with lavish parties and clinking cocktail glasses and twin girls in matching yellow dresses.

On TechTV, for example, they send you off to makeup, the theory being that perhaps generous helpings of pancake can make the home viewer forget there's a reason people who look like me write for a living. A very nice young lady combs your hair properly and slaps on a layer or two of make-up, which, should you forget to take it off before you leave the studio to return home on San Francisco's public transportation system, can generate plenty of strange looks and thoughtful invitations to sample more exotic ways of life than you might otherwise consider.

At CNBC, they don't put makeup on you. They don't even ask you to wipe off the dry blood from your chin if you were stupid enough to shave just minutes before coming to the studio. No, when you take to CNBC's airwaves to address the nation's financial community on matters of great import, you do so as God made you -- pasty-faced and pie-eyed and covered with blemishes.

The differences between the TV studios themselves are just as stark. TechTV has one, CNBC does not -- or at least, its San Francisco office doesn't have one. What it does have is a room about the size of a walk-in closet. There's a stool in the middle of the room and a camera on the opposite wall that's controlled by a technician back at CNBC's Fort Lee, New Jersey, headquarters. Presumably, there are a bunch of producers back in Jersey as well gathered around the monitor and commenting on how pasty your face looks and wondering just who in the hell leaves their house each morning wearing a shirt like that.

Not me, I can assure you.

The stool, incidentally, is set up in front of one of those faux city-scape backgrounds that make it look like the person being interviewed is answering questions from a space pod orbiting high above the San Francisco Bay. If the interview went poorly, I told myself, I could always turn around and threaten to take my wrath out upon the puny city behind me, Godzilla-style.

Which would certainly play havoc with the Nasdaq, I'm thinking.

So the guy manning the CNBC San Francisco bureau led me into the walk-in closet, sat me on the stool, hung a microphone on the shirt that isn't mine, and put an earpiece in my right ear so that I could hear the questions they were asking back in Fort Lee. Or at least, that was the working theory, and a fine one it would have been, too, were it not for the fact that I'm slightly deaf in that ear and couldn't hear a blasted thing.

"Can you hear anything now?" CNBC's man in San Francisco asked me as cranked the knob up to "Spinal Tap"-levels of volume.

"No," I said. "Though perhaps I might be able to if we were to use the ear I can actually hear out of."

"How about now?" he said.

And on it went, until the volume was set at a level that could drown out jet engines, allowing me to hear faint murmurings from our friends in New Jersey. To help out even further, the reporter in Fort Lee offered to shout questions to me at the top of her lungs. I mention this only because if you see the interview and wonder why I have my hand pressed up against my right ear, it is not because I'm afraid that my brain will start leaking out of my eardrum.

The earpiece now lodged into the deepest recesses of my eustachian tube, we could now begin the interview on Acme Computers, its laptops and what this meant vis-a-vis the education market. The interview wasn't live -- my pithy answers to the reporter's penetrating questions were going to be edited and inserted into a larger news story on the fortunes of Acme Computers. Which was fine by me, frankly, since I need all the time allowable to muster the ability to form a complete sentence.

"So, Phil," the reporter said, as charmingly as one can sound when one is shouting at a deaf man, "the CEO of a rival computer maker recently had some disparaging things to say about Acme Computers. What do you think of that?"

And to be honest, the answer to that question is, "Not very much at all since it wasn't the topic you said we were going to discuss when I was told to come on this show." I mean, I hadn't done much preparation for the interview, since I only found out I was doing it a half-hour earlier, but what research I had done -- in between the shaving and the trying on of other men's clothing -- had been predicated on the belief that I was going to talk about computers, not people. So the sensible thing to do -- the responsible thing for any self-respecting pundit -- would be to plead ignorance on a subject I knew next to nothing about and then try to steer the questioning to topics I was actually qualified to speak on. Only a blowhard and a fraud would try to bluff his way through an interview like this.

Two roads diverged in a yellow wood. And I? I took the one more traveled by.

"Well," I said, after what felt like 14 minutes of mental deliberation but was probably closer to 11, "everyone's entitled to their opinion, I suppose."

With pearls of wisdom like that, it's hard to imagine why I'm not a regular on The McLaughlin Group.

The rest of the interview pretty much progressed in that vein. The reporter would ask a question that would have nothing to do with my area of expertise, I would hem and haw for a few minutes and then spit out some sort of trite observation that shed minimal light upon the issue. During the long, pregnant pauses that characterized every one of my responses, the reporter would say encouraging things like "Take your time," and "we can fix that in editing" while doubtlessly rolling her eyes and setting fire to my contact information in her Rolodex. Of the dozen or so questions I was peppered with, I only managed one response that came across as clever, clear and well-informed. Coincidentally, it also happened to be on the subject I had prepared to talk about.

Funny how that works.

I can't imagine I'm the only person this has ever happened to -- that every day someone reasonably well read on a particular subject goes on TV to talk about it, only to discover that the interviewer has an entirely different set of questions in mind. And I suspect that a number of the pundits you see on Sunday morning news roundtables and cable shout-a-thons hosted by the likes of Chris Matthews and Bill O'Reilly do exactly what I did when CNBC asked me questions that I was not in any way prepared to answer -- serve up pure, unadulterated mule muffins.

It sure gives you pause the next time you see Bill Press and Tucker Carlson hamming it up on Crossfire. Although, admittedly, they're probably spewing bullshit while wearing their own shirts.

I never saw the final version of the Acme Computer story. For all I know, I was left on the cutting room floor -- a development that wouldn't disappoint me in the least, let me assure you. With my luck, they probably kept the part of the interview where I sputtered a string of inanities -- they certainly have plenty of material to choose from. At any rate, I'm sure that was my first and last appearance on CNBC, probably my last appearance on TV ever. And I can't say that's necessarily a bad thing. I don't look at ease. I don't feel at ease. And I'm never sure if I'm actually speaking in coherent sentences or just throwing together words that sound like a coded message in a 1950s spy movie. Yes, Lynn. Acme Computer's prospects for future growth remain bright. And the fat man dances near Seattle when the peaches are in full bloom. In short, it's not a very pleasant experience for me. I can't imagine it's any better for the viewer at home.

So if it is the desire of most people to wind up on TV in some way, I can safely say that I'm not among the majority. And it only took going on TV for me to find that out.

ABC: Everything's Coming Up Regis!

Poor Regis Philbin. The king of prime time, the man who singlehandedly saved ABC from irrelevance, will no longer be the most ubiquitous face on television. Yes, it's a sad day for all Americans. Thanks to ABC's decision to cut back on Who Wants To Be A Millionaire, viewers who need to see the feisty Phlibinator more than twice a week will have to wake up early and catch Live with Regis and Kelly Lee.

With Regis shoved to the sideline, ABC has room to premiere five new shows, two comedies and three dramas. Oh, sure, you could go to all the trouble of memorizing the new shows with their new stars and new writers, but what's the point? All it takes is one look at ABC's fall schedule press release to realize that Regis will be back on the air four nights a week by Halloween.

So, as a tribute to the Alphabet Network's most important star, we've slightly modified the following descriptions of what you'll see on ABC come September. The sad part is, you probably won't be able to tell the difference... and we like our version a whole lot more.

In Alias (Sundays, 9:00), Regis Philbin stars as a "vivacious, athletic grad student" with a heart of gold who also happens to be a sexy secret agent for the CIA's top secret SD-6 division. Apparently the Backstreet Boys are hiding secret terrorist messages in their songs, forcing the U.S. Government to recruit freshman co-eds into the intelligence community.

Regis has spent the past several years as both student and sassy spy, successfully concealing his secret identity. Except for that time he accidentally handed in an Lit 101 term paper entitled "Known Bolshevik Operatives In Latvia" just before briefing the CIA Director on "Fairies and Sprites As Metaphors in 16th Century Welsh Iambic Pentameter."

It's been an exciting few years for Regis -- sorority initiation, internship with Maybeline, assassinating the Albanian foreign minister -- but now that life is about to get even more exciting. Regis' boyfriend has just proposed and in a fit of pre-marital honesty, Regis has spilled the beans on his secret career. Now Regis' fiance is running for his life and Regis discovers -- surprise! -- his fellow spies may not be as nice as he thought they were. Throw in some frat brother terrorists (the Phi Kapp Jihad) holding the dean for five kegs in ransom and you've got yourself a show.

(Actual Fact Alert: The star of Alias was in "Dude, Where's My Car." How could it not be great?)

In Bob Patterson (Tuesdays, 9:00), former Seinfeld cast member Regis Philbin stars as motivational speaker Bob Patterson. Which is funny, because Regis is a short, bald, self-absorbed, whiny neurotic with a heart of gold. Yes, it's nice to see Regis fight so hard against being typecast. This could have been a decent premise, but judging from ABC's description it's actually more about finding self-esteem than about Regis as a self-involved infomercial huckster.

In Philly (Tuesdays, 10:00) NYPD Blue auteur Regis Philbin turns the camera on the other side of jurisprudence in a drama revolving around a young defense attorney always fights the good fight. Former NYPD Blue star Regis Philbin stars as Kathleen Maguire, the sassy lawyer with a heart of gold who also happens to be a single mother. Maguire's ex-husband is Regis Philbin, the notorious Philadelphia D.A, and his former partner is now doing time in the loony bin. Oy vey!

The Dad (Wednesdays, 8:30) is the latest in a long line of Home Improvement clones, this one featuring Regis Philbin as a beer-swilling, football-watching dad with a heart of gold. But when you add in a few bratty kids, a sassy wife, and a wacky neighbor, the fun begins as... ah, screw it, why am I wasting my time? You know the drill just as well as I do.

Too bad The Dad doesn't star Regis' vastly more talented, long-dead brother. Samurai Dad or Bumblebee Dad would be a hell of a show.

Thieves (Fridays, 9:00) stars former Full House hunk Regis Philbin as Johnny, a master thief with a heart of gold who gets nabbed by the FBI pulling the biggest job of his career. The Feds give Johnny and his sassy partner Rita a choice: work for the government or spend life in the ol' gray-bar hotel. Guess which one they choose?

Yep, prison. Surprisingly, Thieves has little to do with stealing and everything to do with Johnny's journey from high-class crook to prison bitch. In fact, the producers originally wanted to call the show Prison Bitch, but decided against it when they learned Fox will be airing a reality show with the same name. They fooled around with Pretty Boy Prison Bitch, but Regis had problems with being called a "pretty boy." Prison Bitch With A Heart Of Gold and Sassy The Prison Bitch were also considered before being discarded in favor of Thieves.

Thieves is noteworthy for one reason and one reason only: It is the clear favorite to take this year's TeeVee Dead Pool. Judging from ABC's other rookies, though, it should have plenty of competition. Let's hope Regis has some extra work lined up for when his show inevitably goes down the drain.

WB: The 'Where's Buffy?' Network

Before announcing his 2001-2002 schedule, the head of the WB read a prepared statement:

"Buffy? Buffy who?

"The WB doesn't need Buffy. We broke up with her, not the other way around. And you didn't hear this from us, but we hear that UPN is going to cut their budget by 90 percent. Plus, Buffy died in the last episode, so the series is essentially over anyway. Ignore anything you hear from Joss Whedon."

So let's hear no more of this talk that the WB has lost its big show. In their real announcement (not that I'm admitting for a second that the previous paragraph may have been fabricated), the WB paid much lip service to the idea that Tuesday will continue to be "appointment television". They're going to achieve this partly though scheduling Gilmore Girls in the 8:00 time slot against, er, Buffy the Vampire Slayer, which is now on UPN. This could easily be seen as bad news for Gilmore Girls, which had to deal with being scheduled against both Friends and Survivor 2 this year. But WB executives are confident that longtime WB fans will forget to change the channel or something. Gilmore Girls did fairly well considering its competition, and even won in a key demographic. Unfortunately, that demographic was "teen female viewers", which I'm fairly sure is a category that Buffy has locked down.

The 9:00 Tuesday show, which used to be the second half of the Buffy/Angel block, will now be Smallville, a "dynamic reinterpretation" of the Superman story. In a striking twist entirely unlike Buffy, Clark Kent will be a teenager trying to reconcile everyday teenaged problems with his burgeoning superpowers. Also, Smallville is being beset by strange and unexplained phenomena, but that's also completely unrelated to Buffy and how Sunnydale was the Hellmouth. Forget I even mentioned her.

Thursday will now be "scary reality show night" on the WB. At 8:00, amid a lot of unconvincing hype about how good the band from last year was, Popstars 2 will showcase another group of singers blinded by dreams of fame. At 8:30, something called Elimidate Deluxe is far too complex to describe here. It has something to do with one guy going on four dates at once. And then there's Charmed, which isn't really a reality show, I guess.

Friday will showcase the WB's attempts to "create a break-out comedy", along with Sabrina the Teenage Witch. That's Sabrina, not Buffy. It's hard to tell if the WB is serious about Maybe I'm Adopted (not its real name). They appear to have taken Standard Sitcom Premise #2 (teenage girl with wacky family) and added all sorts of elements that could either backfire (the mother is "It's Pat's" Julia Sweeney, and her wacky character trait is that she's a cheapskate) or be hilarious (the father is a soccer-obsessed Fred Willard, using the goodwill he got from "Best In Show" to score himself a steady paycheck). It's also got identical twins, pop-up graphics, and voice-over narration, so no one can say the WB didn't throw in every sitcom gimmick they could think of.

Every gimmick, that is, except trying to make a sitcom star out of someone who's already successful in another field; they saved that one for Reba McEntire's Deep in the Heart. Because Ms. McEntire is a country-music singer, she's stuck with a show in which her daughter is pregnant by the high school football star and her husband divorces her for his perky dental hygienist. Every time you see the word "rustic" or "plucky" in a review of this show, take a drink.

And then Bob Saget crawls his way back onto television as a widower with two daughters on Raising Dad. And he lives with his father, who's Hesh from The Sopranos. Just avert your eyes, and it's almost like it's not even there.

There are more alleged comedies on Sunday. In addition to Nikki and The Steve Harvey Show, you can look forward to avoiding Off Centre, by the producers of "American Pie" and "Antz." The general impression in the TV industry is that the humor will be closer to the former movie, although you can't completely discount the possibility of digitally animated insects showing up at some point. It has something to do with a pair of male roommates trying to get some. Don't embarrass yourself by asking "some what?"

That's the show that goes with Nikki. The show which goes with The Steve Harvey Show will be Men, Women & Dogs, featuring Bill Bellamy and his three friends hanging around L.A.'s happening dog parks. That's what it says here: "L.A.'s happening dog parks." That's right: forget about discos, night spots, and restaurants. If you're trying to find the happening places in L.A., you go to the dog parks, my friend. Which brings up another question: who calls something "happening" anymore?

Ruining my attempt to describe Sunday as a night of unbridled WB-style comedy, there's an hour of reality-show foolishness at 7:00: Lost in the USA takes four teams, leaves them somewhere in the country, and, unfortunately, chronicles their attempts to do things like bungee jump off Seattle's space needle (which is, incidentally, illegal, so I guess we'll get to see riveting footage of people applying for permits).

In returning shows, which is code for "shows about which we've already made all the jokes we could think of", Angel is moving out of Smallville's way, and will now be on Monday at 9:00 pm, following, for some reason, 7th Heaven. Wednesday will remain the most WB of all of WB's nights, with Dawson's Creek and Felicity.

The most obviously doomed midseason replacement show is A Young Person's Guide to Becoming a Rock Star, because in the role of "embittered old cynical heavy metal has-been", they've cast John "Johnny Rotten" Lydon of the Sex Pistols. Although I'm sure the producers are competent professionals and would never hire someone known for decades to not be interested in working within the Hollywood system or, for that matter, showing up on time.

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This page is an archive of entries from June 2001 listed from newest to oldest.

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